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Location >> Performances >> George Gershwin in Suzhou | 苏州交响乐团——美国往事/壹
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    Performances >> George Gershwin in Suzhou | 苏州交响乐团——美国往事/壹
    George Gershwin in Suzhou | 苏州交响乐团——美国往事/壹
    Date/Time: January 20th 2018 at 19:30
    Prices: 580/380/180/80
    Ticketing time: Mon. - Fri. 09:00-17:00
    Ticketing Phone: 1569 512 2660 (English and Chinese)
    E-Mail: SuzhouTicketing@gmail.com
    [ SSCAC ] Grand Theatre Seating Chart
    Updated on: 12/17/2017 8:08:39 PM
    Ticketing Address: Room 208, Boji Shengneng Science Park, 1 Heshun Lu, Suzhou SIP
    Synopsis:
    In 1924, a concert entitled “An Experiment in Modern Music” met with a critical reception in Broadway: Rhapsody in Blue, particularly, made George Gershwin the first composer ever to introduce jazz into classical music. He followed this direction further in An American in Paris, a perfect fusion of blues and Parisian elements, as well as Porgy and Bess, the emotional entanglements between an African-American beggar and a street girl in Carolina.
     
    The Suzhou Symphony and its trio of jazz soloists brings the magic of Gershwin to Suzhou. 
     
    Alessandro Lanzoni:Piano
    Alessandro Lanzoni is a young Florentine pianist awarded with manifold prizes: the “Best New Talent at Top Jazz 2013” of Musica Jazz, “Best Young Soloist” of the “Martial Solal” International Jazz Piano Competition in Paris. He, together with Matteo Bortone (double bass) and Enrico Morello (drums), founded the “Alessandro Lanzoni Trio” and released several sought-after albums, including Dark Flavour (CAM JAZZ) and Seldom (CAM JAZZ). In “Siena Jazz” National Academy of Jazz, Alessandro, Enrico and Matteo met and immediately understood one another.
     
    His training as a musician is the result of an intense journey, developing in two directions:  His “classical” studies led to his Diploma of Piano obtained in 2012 and the Distinction and Honourable Mentions at the Cherubini of Florence Conservatory with Giovanna Prestia as the music instructor. After this came a period of further jazz studies under the supervision of L. Pieri and M. Grossi, which was followed by summer courses of Siena Jazz and those of Berklee at Boston, where he was able to take advantage of high level teaching by Masters of the caliber of Danilo Perez, Kenny Werner, Aaron Goldberg, Steve Kuhn, John Taylor, Franco D’Andrea, Stefano Battaglia, Danilo Rea. On the other hand, as proof of an unusual versatility as a musician, Alessandro took up the study of cello and composition which will lead to a specialist Degree in Composition and Jazz Arrangement at the Conservatory of Florence.
     
    Visible from a very young age in the posters of the most important Italian music festivals (Umbria Jazz, Ravello Festival, Roma Casa del Jazz, Moncalieri Jazz, Roma Auditorium Parco della Musica, Metastasio Jazz, Dolomiti Ski Jazz, Umbria Jazz Winter, Finestra Jazz, Pescara Jazz Festival, Musicus Concentus, Ancona Jazz Summer Festival, Forma e Poesia nel Jazz (Cagliari), Festival Letterature di Roma, Sudtirol Jazz Festival Alto Adige, Bologna Jazz Festival, Padova Jazz Festival, Grey Cat Festival, Festival Pianistico di Trieste, Music Pool Network Sonoro, Estate Fiesolana, Novara Jazz, Festival Mundus, Etruria Jazz, Chianti Festival, Vicenza Jazz), his career has led him to play side by side with the most prestigious musicians such as Kurt Rosenwinkel, Lee Konitz, Aldo Romano, Roberto Gatto, Jeff Ballard, Larry Granadier, Ambrose Akinmusire, Aaron Goldberg, Miguel Zenón, Michael Blake, Barbara Casini, Ares Tavolazzi, Nico Gori, Walter Paoli, Lello Pareti, Cocco Cantini, Maria Pia de Vito, Fabrizio Bosso, Fabrizio Sferra, Gianni Basso, Renato Sellani, Tiziana Ghiglioni, Nick Myers and many more.
     
    Abroad he has already been able to show his talent in Germany, Austria (Porgy and Bess Jazz Club-Wien), Israel (Haifa e Festival Internazionale di Eilat), Colombia, Panama Jazz Festival, the USA (Morgan Library Auditorium New York), France (Parigi-Sunset Sunside, Savoie Jazz Festival), and recently in Spain, where he played Gershwin’s RHAPSODY IN BLUE with the Oviedo Philharmonic Orchestra directed by Marzio Conti. His participations in RAI radio programs are frequent (“La stanza della musica”, “Piazza Verdi”, “Doctor Djembé”, Radio Tre “Radio3 Suite”, Radio Due “RAI Tunes”).
     
    Matteo Bortone: Double Bass
    Double bass player/composer, Matteo Bortone is making a name for himself among the rising talents of the newest jazz generation, not only as an instrumentalist but also as a composer and bandleader, expecially after being awarded as “Best New Talent 2015” in the annual poll held by the journalists of italian jazz magazine Musica Jazz.
     
    Italian but musically raised in Paris, where he earned a Jazz Master Degree at highly-respected Conservatoire Nationale Superieur (CNSM), Matteo leads two bands: ClarOscuro, a brand new trio with pianist Enrico Zanisi and drummer Stefano Tamborrino, as well as Travelers, a French/Italian quartet with saxo player Antonin-Tri Hoang, drummer Ariel Tessier and guitarist Francesco Diodati. With Travelers, Matteo released two albums: his debut in 2013 (“TRAVELERS” Zone di Musica Label) has been highly-welcomed by international press, receiving some important awards as “Révélation Jazzman” and “Jazz Découverte” in France as well as “Jazzit Likes it” in Italy. The album was also unanimously nominated among one of the “Best Jazz Releases in 2013” by Italian magazine JAZZIT. Travelers’ follow-up disc “Time Images” was released in 2015 (Auand Records, with the help of Puglia Sounds).
     
    Born in Otranto (South of Italy) in 1982, Matteo began to play classical piano, guitar and electric bass, before starting to play double bass. After getting a degree in Economics and Tourism in Milan, he moved to Paris joining Paris National Conservatory (CNSMDP) where he earned his Master degree in 2011, under the watchful eyes of Riccardo Del Fra, Dré Pallemaerts, Fran?ois Theberge, Glenn Ferris, Hervé Sellin and Patrick Moutal.
     
    Matteo’s musical education is punctuated by some student awards, most notably, two scholarships endowed by SIENA JAZZ (2007 and 2008), the second allowing him to represent Italy at the 19th IASJ (International Association of Schools of Jazz) in 2009, led by Dave Liebman. He won the First Prize at REZZO competition (Jazz in Vienne 2008) and “Trophées du Sunside” (Paris) with the band OXYD.
     
    Since 2013 Matteo has toured around Europe, North America and Asia and he can be heard as a member of Italian rising star pianist Alessandro Lanzoni's Trio, drummer legend Roberto Gatto 4et, French piano player Christophe Imbs Trio, “ABHRA” sextet led by French saxophone player Julien Pontvianne, singer Ada Montellanico’s 5et and  German piano player/singer Olivia Trummer Trio.
     
    Matteo also grounded the performances of a wide range of artists such as Leon Parker (Inception Trio), Antonio Faraò, Sofia Ribeiro, Anne Ducros, Anne Paceo, Bebo Ferra, Tigran Hamasyan, Laurent Coq, Ben Wendel, Ralph Alessi.
     
    Enrico Morello:  Percussion
    Enrico Morello is a refined drummer who can count on academic education and a number of rare international experiences for many of his peers and that cultivates the study of his instrument with passion and professionalism. He is a modern, curious and respectful musician of tradition, with an amazing swing and great sensitivity to the choice of dynamics, constantly engaged in a personal search that starts from jazz but explores the entire musical universe.
     
    Born in Rome in 1988, he soon approached the music and began to devote himself to the battery of nine years, highlighting a great deal of creativity. His jazz formation started at the Folk Music School of Testaccio in Rome to continue with important teaching experiences: Siena Jazz Summer Seminars during which he was selected to attend additional Masters with Enrico Rava and Gianluigi Trovesi. In 2010 he received a prestigious scholarship to represent the Siena Jazz Foundation and Italy at S?o Paulo during the International Meeting of IASJ (International Association of Schools of Jazz) in 2011. He is also a protagonist of the jazz competitions he has participated in. He has received important awards, including the Second Place in the European Jazz Contest at the Atina Jazz Festival with his quartet Pentarei (2009) and the “Best Drummer of Tuscia in Jazz” as well as the “Best Trio Award for Karim Blal and Giuseppe Talone” (2009). He has a quartet with Alessandro Lanzoni, Francesco Diodati and Gabriele Evangelista, as well as playing steadily with musicians of the Roman area. He has played in the most important Italian jazz clubs and has attended exhibitions and host festivals of prestigious institutions such as the Casa del Jazz in Rome.
     
    Programme
    George Gershwin:     
    An American in Paris
    Rhapsody in Blue
    Porgy and Bess: Symphonic Picture
     
     
    1924年,美国一场名为“现代音乐实验”的音乐会如平地惊雷炸响,乔治?格什温自此成为史上首位将爵士乐引入古典音乐厅的作曲家。《蓝色狂想曲》将古典音乐构架与浓郁的布鲁斯风情共冶一炉;《一个美国人在巴黎》将蓝调主题穿插于巴黎大街小巷的嘈杂车声中;卡罗来纳州黑人区的乞丐和妓女《波吉与贝丝》之间上演一幕幕爱恨情仇。
     
    许忠 指挥
     
    许忠是享誉国际乐坛的中国钢琴家和指挥家之一,现任以色列海法交响乐团的音乐总监、首席指挥,意大利维罗纳夏季歌剧节及歌剧院首席指挥,上海歌剧院院长,苏州交响乐团首席指挥;2012至2015年期间,担任意大利贝里尼歌剧院艺术总监、首席指挥。
     
    他出生于上海的一个医学世家,16岁时由周勤丽基金会资助以第一名的成绩考入法国巴黎国立高等音乐学院,师从法国钢琴大师多米尼克?墨赫莱。
     
    1988年,还是学生的许忠,在西班牙巴塞罗那第34届玛利亚?卡那尔斯国际钢琴比赛中一举夺得冠军;
     
    1991年,获日本滨松第一届国际钢琴比赛季军;
     
    1992年,夺得西班牙桑坦德国际钢琴比赛第一荣誉大奖;
     
    1992年,荣获了第五届东京国际钢琴比赛七个奖项中的第一名和其余五个大奖;
     
    1994年,在莫斯科柴可夫斯基国际钢琴比赛中赢得第四名。
     
    这些殊荣,奠定了许忠在国际乐坛上的地位。他还经常应邀参加于维也纳、卢森堡、东京、首尔、北京、尼斯、纳坦利、滨松等地举行的世界著名音乐节。
     
    他的杰出音乐成就得到了世界音乐界的广泛赞誉,并多次在意大利布索尼、瑞士克拉拉?哈斯基尔、爱尔兰都柏林、英国里兹、荷兰李斯特、法国玛格丽特?隆、俄罗斯里赫特、日本滨松、韩国首尔、波兰肖邦等各大国际钢琴比赛担任评委。
     
    同时,许忠在中国指挥界元老黄晓同先生的指导下学习指挥,并经常得到马里斯·杨颂斯以及约尔玛·帕努拉等当今世界最著名指挥大师的指点,在交流中获益匪浅。在歌剧领域,他则经常得到皮耶罗·拉塔利诺和贝里尼歌剧专家塞巴斯蒂亚诺?斯皮纳的支持和建议。
     
    许忠指挥过的交响乐团包括:法国国家交响乐团、里尔国家交响乐团、戞纳交响乐团、意大利罗马交响乐团、莫斯科国家交响乐团、MDR莱比锡广播交响乐团、西班牙拉斯帕尔马斯爱乐乐团、韩国KBS交响乐团、中国爱乐乐团、上海交响乐团、广州交响乐团、台北市立交响乐团、维也纳室内乐团、英国室内乐团、以色列室内乐团、耶路撒冷室内乐团等。
     
    许忠的指挥曲目十分宽广,风格大气。除了对经典曲目的忠实准确演绎外,他还对作品把握独到,具有深入的说服力。同时,他在歌剧指挥领域里也表现出不同凡响的才能。
     
    2012年3月他正式受邀担任意大利贝里尼歌剧院艺术总监和首席指挥,成为有史以来第一位出任意大利著名剧院该项职务的亚洲音乐家。2013年3月,许忠受邀出任以色列海法交响乐团音乐总监及首席指挥,同样也是以色列音乐史上首位担任乐团总监的中国艺术家。2016年,继意大利维罗纳夏季歌剧节及歌剧院10年在其首席指挥空缺之后,首次向中国音乐家许忠发出邀请出任该职务。
     
    他与斯卡拉歌剧院、威尼斯凤凰歌剧院、都灵皇家歌剧院、佛罗伦萨五月歌剧院、那不勒斯圣卡罗歌剧院、维罗纳圆形剧场、巴塞罗那利塞乌大剧院、瓦伦西亚索菲亚王后艺术歌剧院、巴黎歌剧院、英国皇家歌剧院、德国达姆施塔特歌剧院、纽约大都会歌剧院、旧金山歌剧院、香港歌剧院等长期保持紧密合作,指挥过《丑角》、《乡村骑士》、《茶花女》、《阿依达》、《游吟诗人》、《波希米亚人》、《托斯卡》、《修女安吉利卡》、《灰姑娘》、《费加罗婚礼》、《漂泊的荷兰人》、《蝙蝠》、《微笑的国度》、《埃莱科特拉》、《卡门》、《人类的声音》、《天堂和地狱》、《阿列柯》等歌剧。2014年5月,许忠携贝里尼剧院举行历史上首次访华演出,参加上海之春国际音乐节闭幕演出和上海辰山草地广播音乐会,获得巨大成功。
     
    许忠与众多世界著名音乐家有过成功合作,其中包括:保罗·巴杜拉-斯科达、拉扎尔·贝尔曼、王健、菲利浦·昂特蒙、弗拉基米尔·克莱涅夫、奥托·诺拉斯、阿里·瓦迪、伯瑞斯·伯曼、约翰·欧考诺、让-贝尔纳·帕米耶、马克西姆·文格洛夫、玛丽-皮耶·朗拉梅特和迪米特里·西奥多丝素等。
     
    许忠凭借一流的艺术表现力、鉴赏力和判断力,成为了一位优秀的艺术活动家,为繁荣艺术事业、促进中外艺术交流做出了重大贡献。2001年,创办了首届中国上海青年钢琴比赛,并任艺术总监,目前该比赛已经逐渐成为世界上最具活力和权威的钢琴比赛之一;2002年,任中国上海国际艺术节艺术顾问;2003-2005年,在中、法两国政府互办的中法文化年担任艺术顾问,并任“法国文化在上海”系列活动艺术总监;2004年,任上海东方艺术中心的艺术委员会委员;2005年,任上海大剧院艺术中心艺术委员会委员和上海音乐厅音乐顾问;2006年,任上海东方艺术中心艺术委员会副主席。
     
    2010年,许忠荣膺由法国文化部颁发的法国文学艺术骑士勋章,用于表彰其在文化艺术领域对于中法交流的卓越贡献,由法国前总统德斯坦亲自为其颁发。在受勋仪式上,德斯坦总统盛赞许忠先生一直以来不遗余力地在中国和世界范围内为推广法国音乐遗产所做出的贡献,并称其为“法国音乐遗产的最佳诠释者”。
     
    2015年6月,应中国世博局之邀,许忠在2015年米兰世博会上指挥米兰威尔第交响乐团为中国国家馆举行庆典音乐会。
     
    2015年10月,创办首届北外滩景观歌剧周,携手中外艺术家、制作团队以及上海国际青年管弦乐团在北外滩上演歌剧《茶花女》,世界经典歌剧序曲专场音乐会和中外歌剧咏叹调精粹音乐会。
     
    2016年6月24日,许忠在意大利维罗纳圆形露天剧场指挥了维罗纳夏季歌剧音乐节的开幕演出——比才歌剧《卡门》。
     
    2017年8月,许忠携手苏州交响乐团和上海歌剧院交响乐团、合唱团及歌唱家们参与2017年德国萨尔州国际音乐节,在法国和德国两个会场进行演出。8月18日,在法国迪约兹La Delivrance演出中心奏响贝多芬第九交响曲。8月20日,在德国萨尔布吕肯会议中心呈现音乐会版歌剧《阿依达》。
     
     
    亚历桑德拉·兰佐尼 钢琴
     
    亚历桑德拉·兰佐尼,意大利佛罗伦萨钢琴家,荣获《爵士音乐》杂志“2013年度爵士新星”,巴黎“马歇尔·索拉尔”国际爵士钢琴大赛最佳独奏家。与马泰欧·伯顿(低音提琴)、恩里科·莫雷洛(爵士鼓)共同创立“亚历桑德拉·兰佐尼三重奏组”,由意大利厂牌 CAM JAZZ发行专辑包括《DARK FLAVOUR》《SELDOM》等,大受欢迎。在意大利锡耶纳国家爵士学院,兰佐尼与伯顿、莫雷洛以乐会友,一拍即合。
     
    兰佐尼的音乐专业训练共分两部分,古典钢琴研习方面,于佛罗伦萨凯鲁比尼音乐学院师从乔凡娜·普雷斯蒂亚,2012年获钢琴演奏文凭及荣誉提名;爵士乐学习师从莱昂纳多·皮埃里、莫罗·格罗西,此后于锡耶纳国家爵士学院、波士顿伯克利音乐学院分别进修,师从丹尼洛·佩雷斯、肯尼·维纳、亚伦·戈德堡、史蒂夫·库恩、约翰·泰勒、佛朗哥·德·安德烈、斯特凡诺·巴塔利亚、丹尼洛·雷伊等。另一方面,兰佐尼也修读大提琴、作曲等,获佛罗伦萨音乐学院作曲与爵士乐编曲文凭。
     
    兰佐尼于意大利各大音乐节登台演出(翁布里亚爵士音乐节、拉维罗音乐节、罗马“爵士乐之家”音乐节、蒙卡耶利爵士音乐节、音乐公园礼堂、梅塔斯塔西奥爵士音乐节、多洛米蒂滑雪爵士音乐节、翁布里亚冬季爵士音乐节、菲奈斯特拉爵士音乐节、佩斯卡拉爵士音乐节、维也纳古乐合奏团、安科纳夏季爵士音乐节、卡利亚里“爵士诗篇”音乐节、国际罗马文学节、南提洛爵士音乐节、南提洛爵士音乐节、博洛尼亚爵士音乐节、帕多瓦爵士音乐节、灰猫音乐节、的里雅斯特钢琴音乐节、索诺拉音乐联盟、费索拉纳夏季音乐会、诺瓦拉爵士音乐节、孟德斯爵士音乐节、伊特鲁里亚爵士音乐节、基安蒂音乐节、维琴察爵士音乐节),合作著名音乐家寇特·罗森温克尔、李·柯尼兹、艾多·罗曼诺、罗伯托·戈度、杰夫·巴拉德、拉里·格拉纳迪厄、安布罗斯·阿金穆塞尔、亚伦·戈德堡、米格尔·赛农、迈克尔·布莱克、芭芭拉·卡西尼、阿瑞斯·塔沃拉齐、尼可·格里、华特·鲍利、莱洛·帕莱蒂、可可·坎蒂尼、玛利亚·德·维托、法布里奇奥·博索、法布里奇奥·斯夫拉、詹尼·巴索、雷纳托·塞拉尼、提兹亚娜·里奥尼、尼克·梅尔斯等。
     
    兰佐尼也在各国演出,包括德国、奥地利(维也纳“波吉与贝丝”爵士俱乐部)、以色列(海法埃拉特国际音乐节)、哥伦比亚、巴拿马爵士音乐节、美国(纽约摩根图书馆)、法国(巴黎“日落”爵士俱乐部、萨瓦爵士音乐节)、西班牙(合作奥维耶多爱乐乐团、指挥家马齐奥·康迪演奏格什温《蓝色狂想曲》),并频繁与意大利广播电视公司合作,如“音乐之屋”“威尔第广场”“鼓博士”及广播频道三系列、频道二“意大利广播电视公司之音”系列等。
     
     
    马泰欧·伯顿 低音提琴
     
    低音提琴演奏家、作曲家马泰欧·伯顿,爵士音乐新星、乐队队长,意大利《爵士音乐》杂志评选“2015年度最具才华新人音乐家”。
     
    伯顿生于意大利、长于巴黎,于巴黎国立高等音乐学院获爵士演奏硕士文凭,并担任“明与暗”三重奏组队长(与钢琴家恩里科·扎尼西、爵士鼓演奏家斯特凡诺·坦博利诺)、“旅行者”四重奏组(合作萨克斯演奏家安东宁-奇·赫安、爵士鼓演奏家爱丽儿·特希尔、吉他演奏家弗朗西斯科·迪奥塔蒂)发行了两张唱片,首张于2013年荣获法国“爵士乐新星”“发现爵士”、意大利“最受欢迎爵士音乐家”、意大利《JAZZIT》杂志“2013年度最佳爵士乐唱片”等称号;第二张《时光印象》由AUAND唱片公司2015年发行。
     
    伯顿1982年生于奥特朗托,在学习低音提琴前先学习古典钢琴、吉他、电音贝司。在米兰获经济学与旅游业学位后,进入巴黎国立高等音乐学院师从里尔卡多·德·法拉、德雷·帕莱马尔特、弗朗索瓦·西博奇、格伦·费里斯、埃尔维·赛林、帕特里克·木塔尔等,2011年获硕士文凭。
     
    伯顿求学期间获意大利锡耶纳国家爵士学院奖学金两次(2007、2008年),代表意大利参加戴夫?利布曼主导的第19届国际爵士音乐学校协会,2008年获维也纳“雷佐”爵士音乐大赛一等奖、合作OXYD乐队获“向日奖杯”。
     
    2013年其伯顿开启欧洲、北美、亚洲巡演,成为意大利钢琴家亚历桑德罗·兰佐尼三重奏组、爵士鼓演奏家罗伯托·戈度四重奏组、法国钢琴家克里斯托弗·因布斯三重奏组、法国萨克斯风演奏家朱利安·蓬维亚纳为队长的ABHRA六重奏组、歌唱家艾达·蒙泰兰尼克五重奏组、德国钢琴家、歌唱家奥莉维亚·特鲁梅三重奏组等成员。
     
    伯顿也与众多知名音乐家深度合作,包括莱昂·帕克(INCEPTION三重奏)、安东尼奥·法侯、索菲亚·里贝罗、安·杜克洛、安妮·帕西奥、贝波·法拉、迪格兰·汉玛斯、洛朗·珂克、本·文德尔、拉尔夫·阿雷西等。
     
     
    恩里科·莫雷洛 爵士鼓
     
    恩里科·莫雷洛,具备多年专业训练经验的知名爵士鼓演奏家,演奏风格融合传统与现代,力度把握敏感精准,自爵士乐开始探索各类音乐风格。
     
    莫雷洛1988年生于意大利罗马,自罗马泰斯塔其奥民间音乐学院开始演戏爵士乐,并于锡耶纳爵士夏季研讨会(与恩里科·拉娃、金里奇·特洛维西入选修读硕士附加课程)等任教。2010年获全额奖学金,2011年代表锡耶纳爵士音乐学院参加圣保罗国际爵士音乐学院协会。莫雷洛在各大爵士乐比赛中屡获大奖,包括阿蒂娜爵士音乐节全欧爵士大赛(与PENTAREI四重奏组,2009年)、图斯雅爵士乐最佳鼓手、“卡里姆·布莱尔和朱塞佩·塔龙”最佳三重奏奖(2009年)。与亚历桑德罗·兰佐尼、弗朗西斯科·迪奥塔蒂、加布里埃勒·埃万热莉斯塔组成四重奏组,在罗马频繁登台演出。罗马各大意大利爵士俱乐部、音乐节(如“爵士之家”)均能看到他的身影。
     
    曲目表 | Programme
     
    George Gershwin     
     
    An American in Paris
    Rhapsody in Blue
    Porgy and Bess: Symphonic Picture
     
    乔治·格什温    
    《一个美国人在巴黎》
    《蓝色狂想曲》
    交响音画《波吉与贝丝》

     

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